- Wednesday, June
30th, 1999 - 9-11 PM
- FIRST SHOW -
CHAMPPS AMERICANA CROSSWOODS
-
- SETUP
-
- I knew this would take
some time. The GM said to set up around 5 - 6 PM. I took a
half day at work and showed up just before 5. Setting up wasn't
too bad. Just time consuming. Marty MOOSE - Late Show Producer
Extraordinaire, and my girlfriend Jessica helped out. Everything
was going dandy until I put the shelving up for the TVs and
noticed 5 out of the 8 rods for supporting the 4 TVs were gone.
Uhm, this is very bad. I freaked. I had NO clue where
these were. So we get in the car and head back home -
-
- IN THE WORST TRAFFIC KNOWN TO
MAN.
-
- This on top of the fact that
my trailer's lights weren't hooked up and I was sure someone
was gonna slam into my ass. Folks, I've been in a lot of stressful
situations before...but this was pretty rough. Traffic sucks
anyway. But when you're pressed for time and you realize that
where you're going may not even be the place you want to be...your
head starts to spin.
-
- Finally got to my house and
found one rod. What the hell. I was about to call the show.
No rods, no TVs. And at this rate I'd never find them. Called my
dad (who helped me load the test show in his trailer) on a whim to
see if they were still with him. They were. I almost puked.
So off to my dad's and back to Champps. Got back around 7 PM and
set-up took abour an hour or so. The worst part was
I couldn't do a soundcheck because people were eating. This
was a bit unnerving to say the least. I made an educated guess and
went from there.
-
- THE PERFORMANCE
- SETS: OPEN 1 -
PARODY 1 - HARRY - RHYTHM - PARODY 2
-
- As I was cueing the tape,
the DJ goes: And now "Adam Kontras" I still had about 20
seconds of tape, but I figured no biggie. Got people excited
and tense. And then POW. No wait that's not good enough...ZAMMO!
Yes, a sound so loud and so blaring I swear to
GOD I killed 3 people in front of a speaker. God
I wish I could've done a sound check. No problem, got it
fixed and I start to do the first set.
-
- Now the way I planned the
first set, the Adams come out one at a time. But of course not
now. The top screens and the bottom screens were exactly the same.
Some computer malfunction. I didn't know this and just kept on
keeping on. At one point Jessica comes up behind me and tells me.
I was in my "mode". It's a place that I seem to be able
to go to where I don't melt down in situations like this.
I don't know when it started happening, but it's quite nice.
I laughed at Jess, looked at the screens and said: "Well
should we start over? Nah, you guys can't even see the bottom TVs
anyway..." And went on. Meanwhile the guys from ABOT (the
production company who helped me put this computer together) were
there and they fussed with it while I sang. By the second set
we figured out the problem, and the sound and were ready to go.
Basically the audience watched our soundcheck.
-
- Performance-wise I was able to
feel comfortable only during random moments throughout the night.
They were giving a bike away throughout the night, so I'd do a set
and then they'd give keys away and so on and so forth. It was a
strange rhythm. A couple moments really shined. I sang
Michael Jackson suprisingly well, and the crowd dug Screw You a
lot more than I thought they would. As I ended with Chest
Hair, and the bar laughing their asses off, I felt pretty
good. I looked at the manager and waited for the Billy Joel:
"And the manager gave me a smile..." He glared at me and walked
OUT OF THE RESTAURANT.
-
- THE REACTION
-
- Well then. As everyone was
shaking my hand and congratulating me (mostly friends, but a
suprising number of people I didn't know) I was looking for
the GM. I talked to some of the workers and they were saying
how funny it was. Then a guy asked if the GM talked to me.
I said "no, he walked out..." And all was silent. Somehow
I pissed this guy off. The promo guy there said two tables
walked out in the back when I started off. Partly because of
the sound problem, and partly because of the content. I was a
bit taken aback. Any questionable content material was after 10 PM
since I started around 9:20. I couldn't imagine people
being offended by Sex with Andyman at 10 PM, but I guess
I was wrong. Apparently this pissed off the GM and he was
upset all night. HOLD ON. When I first got this gig, he
said his bar sales DIED after 9:30 PM. He needed to bring drinkers
in. I did my job. The bar was laughing and clapping and having
fun. Did he want me to cater to the table with the 10 year old
girl at 10 PM? I can't do that. There has to be a clear audience
to read. And if I kept my show G-Rated everytime some IDIOT
parent brought their kid to a restaurant/bar at 10 PM,
I wouldn't be targeting the bar crowd he wanted me to. Hell
there was a 7 year old in there at 11:30! I'm used to that though.
Parents are morons. But if this was a concern for him, why didn't
he tell me? I'm targeting the people I see and who are
responding, and basically doing what he asked, and now this? And
more than anything I was pissed because I could have very
easily made this a G show for that night. I still had 2
sets I didn't do. That's the nice thing about the 4TVs setup.
I can point it in any direction I need to. If it's a
more family atmosphere, I can do that. If it's an older crowd
I can do that. Here's a case where it's BOTH, and
I target what he told me. Extremely frustrating.
-
- Now the reaction by the people
was great. It made the night easier. People were very impressed
and suprised me many times at what they thought was funny.
I love that. You kill yourself to make them laugh at one
point, and they roll at another. Performing is awesome like that.
You learn so much. I was visibly bummed though, 'cause I knew
I had lost the every Saturday Night deal. I talked with
some people and tore down with Marty. Marty, Jessica and
I went to Tee Jayes afterwards and just kind of bummed. It
was a sad sight. They tried valiantly to cheer me up. What sucked
was I could've easily done the two nice sets and left the
parodies for another time, and I'd still be there. Now I lost
it all because the GM didn't make himself clear. Then again,
I hadn't talked to him, so who knows. I'd call the next
morning.
-
- Yup, it was over. He said it
wasn't Champps material. I tried to explain to him that those FEW
songs may not have been, but the rest of the show is just singing.
I was just trying to make the bar laugh. I DID (sigh).
I picked up my check and my posters and went on my way. I did
ask him if maybe he started me at around 10 that we would avoid
most of this. He politely said it wasn't Champps material. I went
straight to the Lennox Champps and talked with a manager there
that I'd been talking to for a couple weeks. He shook his head. He
said that even at 11 PM on a Saturday night Champps is always
gonna be a Disney atmosphere. He said I should've been told that.
That made me feel a bit better. He said what happened would not
effect my standing at Lennox and that he and the GM would
come out and see me at my next gig and see if I could work
with their place.
-
- So that was it. Audience dug
it. The GM didn't give me the right guidance, and I move on.
The lost revenue sets the entire project back almost a month
though. And right now, a month is a huge amount of time in the
life of 4TVs. Anyone got a couple thousand lying around?