5
 
 
(click the picture above for the high definition video - but also click YouTube for me!)
 
7:10 PM, Monday, January 28th, 2008:
 
First of all, no the FBI didn't contact me, no knock on the door from the secret service and YouTube didn't pull the video. Here's the story...
 
The hour I spent after I uploaded the last entry's video may have been the most uncomfortable hour of my life. I felt like I had just set into motion a catastrophe. I was sick to my stomach, I was pacing, my mind was spinning and my entire being told me this was wrong. Like a monumental fuck-up and in the end one simple question made me take it down: "Does this video help anyone?". In the end, people being more aware of how dangerous this situation is does nobody any good. People need to be free to enjoy a rally just as Obama has to let go and trust in his secret service men. They know how serious this is. That goofy rent-a-cop may not realize the severity of the situation, but everyone else does... and more than that - Obama's organization, friends and family are well aware of how eerie these parallells are. They don't want to think about it. They don't want to focus on it, and they sure as hell don't need some asshole to sing a fucking song about it.
 
 
My initial reason for making the video was personal - I was really freakin' out about it. Watching that idiot cop laughing hit a nerve. I wanted to do something. I felt something needed to be said. So it made sense to me to make a video that showed the parallells of '68 to wake people up. Much like "Leaderless State" as I'm putting in this entry. The intention is to make you angry. Get under your skin. I like making powerful pieces that sit with you and make you want to do something. That was exactly what my intention was with "Watching History Again"... but it actually worked too good. Now realize that it wasn't graphic images of Barack being shot or anything - it was simply the implication. Seeing the pictures of Martin Luther King and Bobby Kennedy just started becoming too real.
 
And then I add in a subtle little effect that worked on every single person who viewed it. So much so that it didn't matter that there's a disclaimer, or that nothing in the lyrics is actually bad. It's what I've termed the "crazy" effect. I use it in every Journey song I've ever made where I was angry, uncomfortable - or felt crazy, like this one from 2003. I sing the song ridiculously slow, then speed it up keeping the pitch the same. What ends up happening is my body twitches a little too much. You notice it, but the way it messes with you is almost completely sub-conscious. It's uncomfortable to watch but you don't necessarily know why. The result with the last video? You all thought I was going to kill Barack Obama. Even though nothing I say in the song comes close:
 
 
 I cannot bear to see,
I'm watching history,
Same war, same scores, same themes,
It's exactly what it seems,
I'm watching history repeat,
 
So keep an eye on the sky,
Or we will watch a leader die,
We know now what we knew then,
I'm watching history again,
 
It's 40 years ago,
Dear God he has to know,
Same hope, same quotes, same dreams,
It's exactly what it seems,
I'm watching history repeat,
 
So keep an eye on the sky,
Or we will watch a leader die,
We know now what we knew then,
I'm watching history again...
 
Because of how creepy I look, some of you were sure I said: "I'm making history". The video was subtitled but your mind plays a trick on you because of how I look. Crazy right? The piano chords are dischordant, even that adds to it. I'm dressed in black, that makes you a little unsettled - well actually, I can show that:
 
 
 
I just look sinister. That doesn't help. Everything is in black and white further blurring the line between past and present - that is creepy. Now it's not like I was unaware of what I was doing, but I never dreamed it would be so effective to actually make people hear different words. But when you put it all together? It doesn't matter what I'm saying. It feels bad. It feels unsettling - and it screams: "I'm the assassin"...
 
...and it occured to me what I was setting in motion. This video would've gotten bigger than anything I've ever done. I guarantee you my face would be seen by FBI and secret service men within a week. If I wanted to go to a rally? Sheeeeeeeeeit. Hell, if I even wanted to volunteer for Obama, are you kidding? As I sat there for the hour it was up I was again, physically sick. My whole consitution was being rocked. More than anything because I was having a hard time weighing the intent of the message compared to the reception of the message without more feedback...but could I risk waiting to see? This is the internet man. Once that shit's out there... you're done.
 
I imagined being interviewed on Olbermann having to defend it. All he would have to say is, "But what about his family?" and I'd be done. Then I imagined Barack's kids or family seeing it - and what I kept hearing from them in my mind was: "Yeah, we're fucking aware man - we're trying not to think about it." And that's the line that eventually had me erase it all. I'm hurting people. I could potentially be egging on some nutjob that would see the "history" he could make and I just couldn't bear it. How would I possibly live with myself if I ever thought I had something to do with hurting him? And with so many mixed messages imagine if that is how I'm remembered? Good luck being a "funny" guy on a network show. That's the thing with what I do. Every, single, video that I upload... could be the only thing anyone ever sees of me - and could also be the lasting impression of who I am. So I have to be certain that it says what I want it to say, or it can't be released. Period. And honestly? I have that luxury being an independent producer, which means I have no room for error. Hard to yell "they fucked me in editing" when I edited it.
 
But what a stunning example of how a director has to be exemplary in their execution of putting a story together. You have to oversee every phase and be fully aware of how each piece effects the outcome. From wardrobe to action to editing to mixing - if you add too much to each part, the cup overflows and you end up beating the audience over the head, when the parts on their own seem harmless. And in this case with as fast as I go from idea to execution, it's very difficult to gauge. Thankfully, I caught a disaster before it was too late. Some of you have asked if I'll ever post the video and of course it just depends on how things play out. I'm happy just forgetting the entire thing and trying to focus on a funny aspect of the race and lighten things up at this point. I feel like I dodged a bullet here...yeah that's a bad analogy - I'm gonna stop now.
 
An HGTV report coming some time this week...from the guesthouse (which I finally convinced them I'd stay in and not peek).
 
:-)
 
Adam