The entry about
the first review of "The Journey: From 1 to
1000" was intercepted a couple days ago by a
phone call from a Monkees Superfan which allowed me to
watch and participate in a bizarre sub-culture of
professional celebrity autograph collectors that I
didn't know existed. It was a fun night for sure, and
a great story for the site. I like
those.
Soon after I
uploaded my Monkees video on YouTube I was contacted
by a guy who we'll call Hank. We would've called him
by his real name, but he jumped into the video for
this entry in a way that I have a feeling he
isn't gonna want attached to his name. Ha. Anyway, he
wanted all the footage I had, and I sent it to
him. It's a 35 minute version of the video I have
online and I must say, it's probably the best
"bootleg" I've ever seen. Incredible seats, beautiful
camera... even great sound. Really happy with how it
turned out. I also included a copy of "The
Journey" for him to check out, which he did and
enjoyed.
Cut to Wednesday
and he is back in LA (he's from St.Louis) and he
wanted to get together and talk about the movie and
geek out about The Monkees some more. The reason he's
back in town? The ever-reclusive missing Monkee, Mike
Nesmith was coming out of hiding to actually
perform that Friday in at The Largo. Strangely,
a place I was gonna play back in '01. I really
couldn't believe it and was baffled the man would fly
2000 miles on an internet rumor that he was gonna be a
guest during the "Watkins Family Hour" show. For
his sake, I really hoped he showed up.
Met for coffee
with his long-time friend Steve (whose name I can
mention because he isn't embarrassed by the
video - LOL) and ended up talking for hours about all
sorts of fun stuff. Steve is a free-lance writer who
has written an incredible amount of books on
celebrities, old TV shows, etc... most recently
on Don Knotts. It was honestly a pretty fascinating
discussion. So much so I figured I'd buy a ticket
for the show and be part of the geek-fest although I
clearly didn't have the hard-on for Nesmith that this
cat did (Steve was mildly interested like me). I'm not
a complete n00b to Nesmith's advances in video. Check
out #11 on Entry
#79 back in
2000 where I mention I wrote to Nesmith
trying to show him 4tvs. Weird all the little
connections when you've been doin' shit this
long...
So we get in line
early and get seats in row A, killer, and I notice a
plethora of "don't fucking videotape this
show" type of signs. Of course I'm gonna try, but
it was odd to see it so adament when at The Greek,
Peter Tork said point blank "Record the HELL out
of us, put us on YouTube - share the love" It's
actually more of a venue thing than the artist. And as
I'm about to find out, The Largo is rather intense
about this. I learned this from the professional
collectors that littered the area around and within
The Largo (there's a courtyard in between a little
bar, merchandising area and the theater). These guys
were intense. They actually spend their lives going to
places where celebrities might be, getting an
autograph and selling it. They were all armed with
bags of album covers and ready, to, go. I was ready to
keep exploring, so I walked into the
bar...
It was
actually a cool little place where people
can also perform. Had a cool rickety old
upright piano there. Would dig playing
there. Didn't really want to drink so
headed out...
...and
I walk right into Micky Dolenz with
nobody else around him. I said:
"Well, hello Micky Dolenz" and shook his
hand. It was just weird. I've seen him
more in the last few weeks than nearly
everyone I know. And there was no
one around him.
I
really feel bad for the die-hard fans that
might be reading this and who want to
shoot me right now. I'm really just along
for the ride. Of course Hank jumped in
soon after and asked him a dozen questions
(he was also in the hospitality room at
The Greek last month with him) and
I proceeded to watch that interchange
and the humorous body language within.
Micky was rather cordial considering the
hyper-osity around him. Then again, when
you dress up like that, you're gonna stand
out. And on that
subject.
Though
this picture is not from last night, this
is exactly what he was wearing.
Now, I am the last man to give
another man shit for wearing the same
thing all the time. I am known for wearing
the same clothes for decades and the Cam
hat? That bitch was attached to my head
for 15 years straight... but when it's the
outfit you wear on the cover of your
album?
Ya
know? I mean, maybe he's just
actively trying to "brand" himself, I've
certainly done my share of this... but it
just struck me as odd that you would
seemingly walk off your album cover to go
see a fellow Monkee sing a few
tunes.
But of
course, this is kind of what I lack
in this industry. In his shoes,
I would probably sneak in and sneak
out to show support. And in return would
sell zero albums.
<shrugs>
We
soon got our seats and I readied
myself for the attempt at taping the show.
I brought a camera I could turn
on and record with absolutely no lights
showing, and was happy with my
chances.
The Watkins Family
was actually really good and I enjoyed listening
to them... then incredibly the first guest they had on
was Grant Lee Phillips. A man I met when his band
Grant Lee Buffalo made their way into CD101 in 1999.
In fact my keyboard is presently being pecked on atop
the piano he signed. Cool, huh?! I was rather
excited about that. :-)
Up next for
special guests? Fiona Apple.
What?!?!?
She apparently
just stopped by to say hi to the band and decided to
sing a song. Quick aside, like any red-blooded male
(and many females) I was quite a fan of hers back
in the day. Shadowboxer in 1996 was incredible and of
course, the "Criminal" video? Sheeeeeeit. Man, and
I also did a cover of her song back in 2007. This
is the most bizarre entry I've ever written. It's this
strange "this is your life" kind of
story...
Love her version
of that song (duh, the original) and had a blast with
Keith putting that together. So I was really excited
to see her when Sara announced her name...
...and then a
skeleton walked onstage that made me gasp. I mean
Fiona has always been skinny, but she was so thin that
I actually caught myself looking away. This
overwhelming feeling of "we shouldn't be watching
this" came over me and I was incredibly thankful
she only sang one song. Again, I really love
Fiona's music and have always been attracted to her,
but you simply couldn't ignore what you were seeing.
Sara Watkins (the girl in The Watkins Family as well
as a member of The Decemberists) is a normal sized,
pretty girl and the juxtaposition of the two of them
onstage was frightening. Sorry to keep rambling about
this, everybody gets the point, but it was all
I thought the entire time she was on stage
(roughly 5 minutes).
A couple more
ditties and it was time for Mike Nesmith. I had my
camera running, tucked in my arm and soon realized
this was gonna be tough. My angle allowed me access to
the front and center mic, and he chose the far right
mic (much to the confusion of those onstage, it was
kind of endearing as he didn't want the limelight). He
was also remarkably skinny, but clearly not like
Fiona. I had seen a picture of Mike just last
year and it seems he has lost a good 50 pounds from
that picture. He moved kind of slow, maybe he was a
bit nervous? But again, I had an eerie feeling.
To say The Monkees show was high energy is to say the
least. They're all a year or two from 70 but had no
problem running around for hours. Very easy to
understand why Mike didn't join them. Emotions aside,
physically? That man is not touring. And especially
not with The Monkees doing up-beat teeny-bopper
numbers.
I watched him sing
the first song in a bit of a shock, and then for the
second song I changed sides hoping to actually
get video of him. I was fairly certain I got a good
angle and enjoyed the show. The one thing about not
being able to see what you're shooting through the
camera? You actually get to watch the show, which was
nice. The third song he sang was "Thanks For The Ride"
which was a "farewell" of sorts and it just really
bugged me out. He just didn't look well to me and this
felt like some sad Johnny Cash "Hurt" moment. 68 year
olds that suddenly lose a lot of weight obviously
remind me of my grandmother who died of cancer at 68
in 2000. Hate to be a downer here, this is clearly all
my own issues kinda bouncing around my brain while
witnessing everything... but that's just how my brain
saw it. And then a guy grabbed me... and it was off to
the next adventure.
I knew immediately
what had happened and I smiled and walked out the back
of the theater with the guy. I said: "It was my
job to try, and it was your job to catch me. Good
job." And he took my camera, went up to the booth,
erased everything and gave it back. It really just
felt like losing a chess game to me. I was impressed
they saw it (found out later they have a camera ON the
audience and in night mode they see the infa-red from
the camera! I was never pulling that off. LOL).
They said
I could go back in and watch the show,
which was actually very nice of them, but
just then all the COLLECTORS came running out
and started setting up their albums. I
assumed Nesmith was done and they were on the
"hunt" for him and I figured I'd better
stay with them as honestly? They were a lot
more interesting. There could be a
documentary on this sub-culture, easy.
I eventually
went around back because I knew there
was no way Mike was coming into the
courtyard. He just seemed way too fragile
onstage. No, he was going to walk out the
back, to his car, and go home. When
I got there, there were a few of the
hardcore peeps there and man, they were
just... intense. This dude to the left was
pointing out all the "regulars", being
angry at everyone blocking him. He took
this really, really seriously and he was
simply frightening. Everyone knew who he
was, too. Weird.
And then
there's this jackhole who I'll call Martin
because his fucking name is Martin. He was
telling another guy what the paparazzi laws
were and how you could stand in front of
celebs and block them as long as they had
room to go around you. Basically how to be as
much of an dick as possible to people within
the law. Then he's like "Hey, don't take
video of me." Why? 'Cause it's INTRUSIVE?
'Cause it's a DICK thing to do? Sucks
when the shoe is on the other foot doesn't
it.
That's right about
when the line started getting big, so I decided
to go anti-paparazzi and shoot the crowd. They were
honestly more interesting than Mike to me.
I wonder how it will make them feel to see how
they look? So desperate to get something signed (some
were legitimate fans like Hank), but completely
failing to see that the man clearly used every bit of
energy he had doing 5 songs and that when he said he
wanted to spend time with his family... you back off.
As you can see from the video, one guy really
didn't...
...and yes, that
guy was Hank. (sigh). I remember as I was
shooting thinking: "DUDE! What are you doing! I
HAVE to post this video, it's the only shot
I have!" I didn't want to upload what he was sure
to be embarrassed about later to the world... but
goddamn, I spent $25 for this ticket just for
this story and entry, and well, I need a video
for the VLOG. So I'm kinda stuck with it. I decided to
not edit anything together, just show the entire file
uncut so as to not bias it in one way or another. This
is simply what happened. And Hank was PISSED.
And man,
I just don't understand. Hank has already met
him, already has an autograph... but he has like 15
items that have the other 3 Monkees without Nesmith
and he's trying to "complete" them. Is it worth doing
that to the guy as he got in the car? Don't you think
that kind of made him feel bad? I mean, when
I was 20 and in the lockeroom with Jordan,
I know I crossed the professional line as
part of the media when I unbuttoned my shirt to reveal
his jersey underneath and asked for an autograph...
but if he couldn't have done it? I would've dropped
it. And the bizarre thing is that although he says
he'll never sell them, he knows it'll be worth more
with the 4 of them. The whole concept is just foreign
to me 'cause now we're running into the other thing
that I forget people are motivated by:
money. Unless money buys me more tools to create?
I just don't have an interest. In a sense? This
website is my "collection" and videos are what
I "collect". I like how it's all laid out. I
treat each file like tiny pieces of art that I peruse
from time to time and they are a reflection of who
I am at that exact moment. 10 years from now I'll
stumble upon this video and remember what August 2011
was like. It feels far less intrusive than trying to
stop someone and have them sign something.
Afterwards, Hank,
Steve and I went to a strange little Tiki bar and
again, I enjoyed talking to them. Hank is one of the
strangest contradictions of traits in one person I've
ever known. Big, strong fireman type. Cigar
smoking-hummer driving, conservative leaning
(everything he said was Republican though he tried
desperately to cling to the "leaning" term) dude...
who then has a choke collar necklace, a tongue
piercing and a bunch of silver rings and is a die-hard
Monkees fan. And you know what they say about guys
that wear silver rings...
Hahahaha. It's
funny, we actually have some similar traits, but I'm
kinda wanting to take off my rings now. HAAAAAAAAA.
Just fuckin' with you Hank.
So a big "thank
you" to Hank (after I just made fun of him).
because this was quite a fun little adventure and I
never would've done that if not for you looking
me up. Keep fighting the good fight and savin'
peoples' lives. I'll be thinkin' of you in a couple
weeks during the 10 year anniversary, man.
And Steve! Cool to
meet you brotha! Can't wait for you to watch the movie
and see if there's a way we can brainstorm something
to help the both of us.